Edouard Guihaire
Agence France Presse/ London
Whether in search of a glowing skull or a bright red heart, God's Own Junkyard in London is a maze of multicolored neon of all shapes and sizes which is thriving on its retro reputation.
In a vast warehouse in the east of the British capital sits Europe's biggest collection of neon signs.
In here we've got 1,400 pieces," said the creative director of God's Own Junkyard, Marcus Bracey, walking through the treasure trove of brightly illuminated tubes.
Most are for sale - a heart with the British flag emblazoned with "God Save the Queen" across it, for instance, or an enormous pair of bright red lips with a tongue reaching out to the top of an ice cream cone.
"We've got a mixture of sex, contemporary art, everything," said Bracey.
"From love through lust, everything's here.'
Some of the signs date back to the 1950s, while others can cost thousands of pounds, such as a cowboy like Jesus Christ clutching two blue revolvers, which has been sold but never picked up by its new owner.
The hip, disco like space has evolved from suitably colorful origins through several generations of Bracey's grandfather, a former coal miner, in the 1950s.
Bracey, 43, jokes that his grandfather "came up from the dark to the light" and found his passion after leaving the mines to work for a lightning company.
It was the next generation that developed the business, now based in the up and coming east London neighbourhood, Walthamstow.
Bracey's late father, Chris, became a major supplier of neon signs to the sex shops of London's Soho district.
But, as the neighborhood started to shed its seedy reputation, signs such as the neon lit shapely figure of a woman, began finding their way to God's Own Junkyard.
The family has also produced signs for film shoots, such as the flashing dragon sign used in Ridley Scott's "Blade Runner" in 1982 - Bracey vows he will never sell it.
A rainbow sign was also crafted for Stanley Kubrick's 1999 film Eyes Wide Shut starring Tom Cruise and Nicole Kidman.
While the buyers have changed, the technology has hardly evolved.
Neon technology was first developed in 1910 by Georges Claude, a French chemist who was looking for a cheaper way to produce oxygen for hospitals.
Since his remarkable finding that different gases produced an array of vivid colors, neon has gone on to conquer the world of advertising.
From Paris to New York, it remains "one of the great symbols of the 20th century, signifying in turn the utilitarian conquest of the night" and "electric globalization," wrote philosopher Luis de Miranda in his essay "Being and Neon" on the cultural history of neon signs.
But despite a boom in the bright lights, the industry has faced tough times.
"In the 1980s, there was a big shrink in demand and neon workshops were all closing. We thought almost it was the end of neon," Bracey said.
"But it has come back," he said, with the help of individual buyers in search of retro designs, which make up 50 percent of his clients.
And the future looks bright for God's Own Junkyard.
Bracey's two children say the yard provides an exciting and colorful playground and that they are aware of its importance in their family history. "It's always been in our blood, in our DNA!" one of them said.
Agence France Presse/ London
Whether in search of a glowing skull or a bright red heart, God's Own Junkyard in London is a maze of multicolored neon of all shapes and sizes which is thriving on its retro reputation.
In a vast warehouse in the east of the British capital sits Europe's biggest collection of neon signs.
In here we've got 1,400 pieces," said the creative director of God's Own Junkyard, Marcus Bracey, walking through the treasure trove of brightly illuminated tubes.
Most are for sale - a heart with the British flag emblazoned with "God Save the Queen" across it, for instance, or an enormous pair of bright red lips with a tongue reaching out to the top of an ice cream cone.
"We've got a mixture of sex, contemporary art, everything," said Bracey.
"From love through lust, everything's here.'
Some of the signs date back to the 1950s, while others can cost thousands of pounds, such as a cowboy like Jesus Christ clutching two blue revolvers, which has been sold but never picked up by its new owner.
The hip, disco like space has evolved from suitably colorful origins through several generations of Bracey's grandfather, a former coal miner, in the 1950s.
Bracey, 43, jokes that his grandfather "came up from the dark to the light" and found his passion after leaving the mines to work for a lightning company.
It was the next generation that developed the business, now based in the up and coming east London neighbourhood, Walthamstow.
Bracey's late father, Chris, became a major supplier of neon signs to the sex shops of London's Soho district.
But, as the neighborhood started to shed its seedy reputation, signs such as the neon lit shapely figure of a woman, began finding their way to God's Own Junkyard.
The family has also produced signs for film shoots, such as the flashing dragon sign used in Ridley Scott's "Blade Runner" in 1982 - Bracey vows he will never sell it.
A rainbow sign was also crafted for Stanley Kubrick's 1999 film Eyes Wide Shut starring Tom Cruise and Nicole Kidman.
While the buyers have changed, the technology has hardly evolved.
Neon technology was first developed in 1910 by Georges Claude, a French chemist who was looking for a cheaper way to produce oxygen for hospitals.
Since his remarkable finding that different gases produced an array of vivid colors, neon has gone on to conquer the world of advertising.
From Paris to New York, it remains "one of the great symbols of the 20th century, signifying in turn the utilitarian conquest of the night" and "electric globalization," wrote philosopher Luis de Miranda in his essay "Being and Neon" on the cultural history of neon signs.
But despite a boom in the bright lights, the industry has faced tough times.
"In the 1980s, there was a big shrink in demand and neon workshops were all closing. We thought almost it was the end of neon," Bracey said.
"But it has come back," he said, with the help of individual buyers in search of retro designs, which make up 50 percent of his clients.
And the future looks bright for God's Own Junkyard.
Bracey's two children say the yard provides an exciting and colorful playground and that they are aware of its importance in their family history. "It's always been in our blood, in our DNA!" one of them said.
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